ON TRIAL, 2019-22
Although only residing in the USA for a short period, Toronto-based Chilean Photographer Cristian Ordóñez has spent a large-period of the previous decade revisiting the lower states creating works that explore the notion of memory, personal relationship, and encounters with the territory.
On Trial observes and plays witness to these encounters, a body of work that presents the social, economic, and geographic survey of the landscape traveled by Ordóñez. A survey, engaging with all things natural and foreign on even ground, seeking to question not only the observer but the role of the object within the frame.
Forthcoming previous published works, Notes 01, 02, and 03, the new chapter continues to visualise his approach and interest in the photographic process as a medium to explore the territory, own cultural diversity, and the connection between place and ethnicity.
On Trial contains a selection of 20 photographs edited by Rohan Hutchinson, and accompanied with text by Ordóñez. Designed to co-exist with previous and forthcoming published works, the body and cover of the publication exist in the same form, contextualising the in-transit approach of the photographic content, along with the journey of its publishing.
Text by Rohan Hutchinson. Editor, acb press
Pigment print on newspaper (diptych). 46 x 60 inches / 116.8 x 152.4 cms each
Pigment print on Hahnemühle Photo Rag Baryta, 32 x 26 inches / 81.2 x 66 cms
ON TRIAL, 2022
—
Please order here or contact at studio@cristianordonez.com
—
Edited by Rohan Hutchinson and Cristian Ordóñez
Published by acb press
Printed in Melbourne, Australia
Design: Rohan Hutchinson
Cover: Sovereign Offset 115gsm
Body: Sovereign Offset 115gsm
Text sheet: Envirocare 110gsm
Size: 25.5 x 31.25 cm
Edition: 200
Unbound
COLLECTIONS
2022 — National Gallery of Canada, Library & Archives Collection (CA)
2022 — State Library of Victoria, Collection (AU)
2022 — Gabriela Cendoya Bergareche Collection. San Telmo Museum, San Sebastián (ES)
2022 — National Library of Australia, Collection (AU)
EXHIBITIONS, FAIRS
2023 — Salon 44 (group show), Gallery 44 (CA)
2022 — The Artist as Author: Recent Canadian Photobooks (group show). Aarhus Art Museum in Aarhus (DK)
2022 — Les livres du vécu et Les pages résonnantes (group show). Rencontres de la photographie en Gaspésie (CA)
2021 — Latin American Galleries Now. Galería Animal + Artsy (US)
HONOURS
2020 — Urbanautica Institute, "Extinction" Shortlisted (IT)
PRESS
2024 — Scopio Magazine. Feature Article (PT)
2023 — Reviewed by Barry Schwabsky. Border Crossings magazine (CA)
2023 — C4 Journal. Feature work (UK)
2023 — Palm Studios. Feature work (UK)
2022 — The Heavy Collective. Feature (AU)
2022 — FotoNostrum Magazine, Issue 23. Feature Article (ES)
2021 — Centro Imagen Sur. Feature (CL)
2021 — Nowhere Diary. Feature + Interview (DK)
2021 — Letargo, Issue 1. Feature (CL)
2020 — Urbanautica Institute, "Extinction. The World Without Us." Book. ISBN: 978-88-32108-10-1 (IT)
ON TRIAL, 2019-22
Although only residing in the USA for a short period, Toronto-based Chilean Photographer Cristian Ordóñez has spent a large-period of the previous decade revisiting the lower states creating works that explore the notion of memory, personal relationship, and encounters with the territory.
On Trial observes and plays witness to these encounters, a body of work that presents the social, economic, and geographic survey of the landscape traveled by Ordóñez. A survey, engaging with all things natural and foreign on even ground, seeking to question not only the observer but the role of the object within the frame.
Forthcoming previous published works, Notes 01, 02, and 03, the new chapter continues to visualise his approach and interest in the photographic process as a medium to explore the territory, own cultural diversity, and the connection between place and ethnicity.
On Trial contains a selection of 20 photographs edited by Rohan Hutchinson, and accompanied with text by Ordóñez. Designed to co-exist with previous and forthcoming published works, the body and cover of the publication exist in the same form, contextualising the in-transit approach of the photographic content, along with the journey of its publishing.
Text by Rohan Hutchinson. Editor, acb press
Pigment print on newspaper (diptych). 46 x 60 inches / 116.8 x 152.4 cms each
Pigment print on Hahnemühle Photo Rag Baryta, 32 x 26 inches / 81.2 x 66 cms
ON TRIAL, 2022
—
Please order here or contact at studio@cristianordonez.com
—
Edited by Rohan Hutchinson and Cristian Ordóñez
Published by acb press
Printed in Melbourne, Australia
Design: Rohan Hutchinson
Cover: Sovereign Offset 115gsm
Body: Sovereign Offset 115gsm
Text sheet: Envirocare 110gsm
Size: 25.5 x 31.25 cm
Edition: 200
Unbound
COLLECTIONS
2022 — National Gallery of Canada, Library & Archives Collection (CA)
2022 — State Library of Victoria, Collection (AU)
2022 — Gabriela Cendoya Bergareche Collection. San Telmo Museum, San Sebastián (ES)
2022 — National Library of Australia, Collection (AU)
EXHIBITIONS, FAIRS
2023 — Salon 44 (group show), Gallery 44 (CA)
2022 — The Artist as Author: Recent Canadian Photobooks (group show). Aarhus Art Museum in Aarhus (DK)
2022 — Les livres du vécu et Les pages résonnantes (group show). Rencontres de la photographie en Gaspésie (CA)
2021 — Latin American Galleries Now. Galería Animal + Artsy (US)
HONOURS
2020 — Urbanautica Institute, "Extinction" Shortlisted (IT)
PRESS
2024 — Scopio Magazine. Feature Article (PT)
2023 — Reviewed by Barry Schwabsky. Border Crossings magazine (CA)
2023 — C4 Journal. Feature work (UK)
2023 — Palm Studios. Feature work (UK)
2022 — The Heavy Collective. Feature (AU)
2022 — FotoNostrum Magazine, Issue 23. Feature Article (ES)
2021 — Centro Imagen Sur. Feature (CL)
2021 — Nowhere Diary. Feature + Interview (DK)
2021 — Letargo, Issue 1. Feature (CL)
2020 — Urbanautica Institute, "Extinction. The World Without Us." Book. ISBN: 978-88-32108-10-1 (IT)
Untitled (Atacama)...
Valle
Paisaje Común, at Galería Animal
Unfold
Unfold Billboards, at Contact Photography Festival
OMNE, Land (Artist Residency)
Frecuencia, at Galería Animal
Frequency, b-sides
Frequency
On Trial
Displace
Displace at Project 107 Gallery
Notes (On Trial) 03
Notes (On Trial) 02
Notes (On Trial) 01
Trama at Sur Gallery
Untitled (Sequel)
Info
Publications
News
[ENG]
Once Chile recovered its democracy in 1990, a remarkable process of western-style development (Moore, 1966) started based on an economic model that delivered macroeconomic progress (The World Bank, 2021), but which has left behind many communities across the country (Benedikter & Zlosilo, 2017; Fábrega, 2019; Siavelis, 2010). Just like many other of the so-called high-income countries, there are still communities in Chile living in poor conditions, despite the incorporation of Chile to the OECD in 2010 and the international recognition of the Chilean model of development (Richards, 1997).
The Huasco Valley is one of those places still left behind. Located in the south of the Atacama Desert and known as the last valley before entering the driest desert on earth, the Huasco river gives life to the valley, its people and their ways of living. The Valley is formed by four main communities (namely Huasco, Freirina, Vallenar, and Alto del Carmen) reaching a population of about 72,000 people distributed along 150 km from the Pacific Ocean up to more than 4,000 m.a.s.l. in The Andes. The main economic activities of the region, other than services, are by far mining (41% of the regional GDP) with one of the highest GDP per capita among regions in Chile (Instituto Nacional de Estadísticas, n.d.) but still with many unsolved socio-environmental issues (Environmental Justice Atlas, n.d.; Instituto Nacional de Derechos Humanos, n.d.), reflecting the inequality Chile still suffers . Although the Valley has been subject to the development of industrial and mining projects for years (Bolados-García et al., 2021), emblematic developments have been cancelled due to public pressure and the companies’ poor socio-environmental practices, despite being approved by authorities. These include mining, agroindustry and energy projects. Some of the identified impacts of these projects include high levels of heavy metals in children and local produce, intolerable odours from pig carcasses, pollution of the local sea by mining tailings and long-lasting sediments in the Huasco river (Insunza, 2015; Myllyvirta et al., 2020; Vargas Aceituno, 2014). As seen, academic literature, as well as NGO research, show vast evidence of the social and environmental impact of these projects in the communities of the Valley.
Under this troubling scenario of development, investment, justice and distrust, conflicts appear due to the unfair distribution of social and environmental ‘goods’ and ‘bads’ that threaten the health, livelihood and social identities of these communities (Scheidel et al., 2020). Industrial territorial interventions, while creating employment, paying taxes and benefitting the local economy, also bring negative externalities that affect people’s ways of living, they hardly distribute economic benefits equally, and governments usually behave unilaterally (Amengual, 2018).
This work focuses on those communities and their territories with the aim of understanding the rationale of development and the potential role that multinationals play in it. After visiting the Valley, talking to its citizens and photographing its diverse landscape from the ocean to the mountain, we found a sensation of uncertainty and abandonment, and our work reflects the visible and invisible, the ephemeral and permanent, the transformations, adaptations, relationships and the intertwined conflicts existing across the valley.
Text by Eduardo Ordonez-Ponce, PhD.
Associate Professor, Athabasca University
[ESP]
Una vez que Chile recuperó su democracia en 1990, este comenzó un notable proceso de desarrollo de estilo occidental (Moore, 1966) basado en un modelo económico que generó progreso macroeconómico (The World Bank, 2021), pero que ha dejado atrás a muchas comunidades en todo el país (Benedikter & Zlosilo, 2017; Fábrega, 2019; Siavelis, 2010). Al igual que muchos otros de los llamados países de altos ingresos, en Chile aún existen comunidades que viven en condiciones precarias, a pesar de la incorporación de Chile a la OCDE en 2010 y el reconocimiento internacional del modelo chileno de desarrollo (Richards, 1997) .
El Valle de Huasco es uno de esos lugares que aún quedan atrás. Ubicado al sur del Desierto de Atacama y conocido como el último valle antes de ingresar al desierto más árido de la tierra, el río Huasco da vida al valle, a su gente y a sus formas de vivir. El Valle está formado por cuatro comunidades principales (Huasco, Freirina, Vallenar y Alto del Carmen) alcanzando una población de alrededor de 72.000 personas distribuidas a lo largo de 150 km desde el Océano Pacífico hasta más de 4.000 m.s.n.m. en la Cordillera de Los Andes. Las principales actividades económicas de la región, además de los servicios, son por lejos la minería (41% del PIB regional) con uno de los PIB per cápita más altos entre las regiones de Chile (Instituto Nacional de Estadísticas, n.d.), pero aún con muchos problemas socioambientales sin resolver (Environmental Justice Atlas, d.f.; Instituto Nacional de Derechos Humanos, n.d.), que reflejan la desigualdad que aún sufre Chile. Si bien el Valle ha sido objeto del desarrollo de proyectos industriales y mineros durante años (Bolados-García et al., 2021), proyectos emblemáticos han sido cancelados por la presión pública y las malas prácticas socioambientales de las empresas, a pesar de haber sido aprobados por autoridades. Estos incluyen proyectos de minería, agroindustria y energía. Algunos de los impactos identificados de estos proyectos incluyen altos niveles de metales pesados impactando niños y productos locales, olores intolerables de los cadáveres de cerdos, contaminación del mar local por relaves mineros y sedimentos de larga duración en el río Huasco (Insunza, 2015; Myllyvirta et al. al., 2020; Vargas Aceituno, 2014). Como se ve, la literatura académica, así como las investigaciones de las ONG, muestran vasta evidencia del impacto social y ambiental de estos proyectos en las comunidades del Valle.
Bajo este preocupante escenario de desarrollo, inversión, justicia y desconfianza, aparecen conflictos por la injusta distribución de 'bienes' y 'males' sociales y ambientales que amenazan la salud, el sustento y la identidad social de estas comunidades (Scheidel et al., 2020). Las intervenciones territoriales industriales, si bien crean empleo, pagan impuestos y benefician la economía local, también traen externalidades negativas que afectan las formas de vida de las personas, difícilmente distribuyen los beneficios económicos de manera equitativa y los gobiernos suelen actuar de manera unilateral (Amengual, 2018).
Este trabajo se centra en esas comunidades y sus territorios con el objetivo de comprender la lógica del desarrollo y el papel potencial que las multinacionales juegan en él. Luego de visitar el Valle, conversar con sus habitantes y fotografiar su diverso paisaje desde el mar hasta la montaña, nos encontramos con una sensación de incertidumbre y abandono, y nuestra obra refleja lo visible e invisible, lo efímero y permanente, las transformaciones, adaptaciones, relaciones y los conflictos entrelazados que existen en todo el valle.
Texto de Eduardo Ordóñez-Ponce, PhD.
Profesor asociado, Universidad de Athabasca
[ENG]
Once Chile recovered its democracy in 1990, a remarkable process of western-style development (Moore, 1966) started based on an economic model that delivered macroeconomic progress (The World Bank, 2021), but which has left behind many communities across the country (Benedikter & Zlosilo, 2017; Fábrega, 2019; Siavelis, 2010). Just like many other of the so-called high-income countries, there are still communities in Chile living in poor conditions, despite the incorporation of Chile to the OECD in 2010 and the international recognition of the Chilean model of development (Richards, 1997).
The Huasco Valley is one of those places still left behind. Located in the south of the Atacama Desert and known as the last valley before entering the driest desert on earth, the Huasco river gives life to the valley, its people and their ways of living. The Valley is formed by four main communities (namely Huasco, Freirina, Vallenar, and Alto del Carmen) reaching a population of about 72,000 people distributed along 150 km from the Pacific Ocean up to more than 4,000 m.a.s.l. in The Andes. The main economic activities of the region, other than services, are by far mining (41% of the regional GDP) with one of the highest GDP per capita among regions in Chile (Instituto Nacional de Estadísticas, n.d.) but still with many unsolved socio-environmental issues (Environmental Justice Atlas, n.d.; Instituto Nacional de Derechos Humanos, n.d.), reflecting the inequality Chile still suffers . Although the Valley has been subject to the development of industrial and mining projects for years (Bolados-García et al., 2021), emblematic developments have been cancelled due to public pressure and the companies’ poor socio-environmental practices, despite being approved by authorities. These include mining, agroindustry and energy projects. Some of the identified impacts of these projects include high levels of heavy metals in children and local produce, intolerable odours from pig carcasses, pollution of the local sea by mining tailings and long-lasting sediments in the Huasco river (Insunza, 2015; Myllyvirta et al., 2020; Vargas Aceituno, 2014). As seen, academic literature, as well as NGO research, show vast evidence of the social and environmental impact of these projects in the communities of the Valley.
Under this troubling scenario of development, investment, justice and distrust, conflicts appear due to the unfair distribution of social and environmental ‘goods’ and ‘bads’ that threaten the health, livelihood and social identities of these communities (Scheidel et al., 2020). Industrial territorial interventions, while creating employment, paying taxes and benefitting the local economy, also bring negative externalities that affect people’s ways of living, they hardly distribute economic benefits equally, and governments usually behave unilaterally (Amengual, 2018).
This work focuses on those communities and their territories with the aim of understanding the rationale of development and the potential role that multinationals play in it. After visiting the Valley, talking to its citizens and photographing its diverse landscape from the ocean to the mountain, we found a sensation of uncertainty and abandonment, and our work reflects the visible and invisible, the ephemeral and permanent, the transformations, adaptations, relationships and the intertwined conflicts existing across the valley.
Text by Eduardo Ordonez-Ponce, PhD.
Associate Professor, Athabasca University
[ESP]
Una vez que Chile recuperó su democracia en 1990, este comenzó un notable proceso de desarrollo de estilo occidental (Moore, 1966) basado en un modelo económico que generó progreso macroeconómico (The World Bank, 2021), pero que ha dejado atrás a muchas comunidades en todo el país (Benedikter & Zlosilo, 2017; Fábrega, 2019; Siavelis, 2010). Al igual que muchos otros de los llamados países de altos ingresos, en Chile aún existen comunidades que viven en condiciones precarias, a pesar de la incorporación de Chile a la OCDE en 2010 y el reconocimiento internacional del modelo chileno de desarrollo (Richards, 1997) .
El Valle de Huasco es uno de esos lugares que aún quedan atrás. Ubicado al sur del Desierto de Atacama y conocido como el último valle antes de ingresar al desierto más árido de la tierra, el río Huasco da vida al valle, a su gente y a sus formas de vivir. El Valle está formado por cuatro comunidades principales (Huasco, Freirina, Vallenar y Alto del Carmen) alcanzando una población de alrededor de 72.000 personas distribuidas a lo largo de 150 km desde el Océano Pacífico hasta más de 4.000 m.s.n.m. en la Cordillera de Los Andes. Las principales actividades económicas de la región, además de los servicios, son por lejos la minería (41% del PIB regional) con uno de los PIB per cápita más altos entre las regiones de Chile (Instituto Nacional de Estadísticas, n.d.), pero aún con muchos problemas socioambientales sin resolver (Environmental Justice Atlas, d.f.; Instituto Nacional de Derechos Humanos, n.d.), que reflejan la desigualdad que aún sufre Chile. Si bien el Valle ha sido objeto del desarrollo de proyectos industriales y mineros durante años (Bolados-García et al., 2021), proyectos emblemáticos han sido cancelados por la presión pública y las malas prácticas socioambientales de las empresas, a pesar de haber sido aprobados por autoridades. Estos incluyen proyectos de minería, agroindustria y energía. Algunos de los impactos identificados de estos proyectos incluyen altos niveles de metales pesados impactando niños y productos locales, olores intolerables de los cadáveres de cerdos, contaminación del mar local por relaves mineros y sedimentos de larga duración en el río Huasco (Insunza, 2015; Myllyvirta et al. al., 2020; Vargas Aceituno, 2014). Como se ve, la literatura académica, así como las investigaciones de las ONG, muestran vasta evidencia del impacto social y ambiental de estos proyectos en las comunidades del Valle.
Bajo este preocupante escenario de desarrollo, inversión, justicia y desconfianza, aparecen conflictos por la injusta distribución de 'bienes' y 'males' sociales y ambientales que amenazan la salud, el sustento y la identidad social de estas comunidades (Scheidel et al., 2020). Las intervenciones territoriales industriales, si bien crean empleo, pagan impuestos y benefician la economía local, también traen externalidades negativas que afectan las formas de vida de las personas, difícilmente distribuyen los beneficios económicos de manera equitativa y los gobiernos suelen actuar de manera unilateral (Amengual, 2018).
Este trabajo se centra en esas comunidades y sus territorios con el objetivo de comprender la lógica del desarrollo y el papel potencial que las multinacionales juegan en él. Luego de visitar el Valle, conversar con sus habitantes y fotografiar su diverso paisaje desde el mar hasta la montaña, nos encontramos con una sensación de incertidumbre y abandono, y nuestra obra refleja lo visible e invisible, lo efímero y permanente, las transformaciones, adaptaciones, relaciones y los conflictos entrelazados que existen en todo el valle.
Texto de Eduardo Ordóñez-Ponce, PhD.
Profesor asociado, Universidad de Athabasca
Photographs
Untitled (Atacama)...
Valle
Unfold
OMNE, Land (Artist Residency)
Frequency
On Trial
Displace
Notes 01, 02, 03 (On Trial)
Trama
Untitled (Sequel)